8 (-)- V/V/V - 863 - IS, Complete Score Andante 3. Adagio - Allegro 0.0/10 (-)- V/V/V - 13295 - homerdundas, Violins II Please enable Strictly Necessary Cookies first so that we can save your preferences! 6 With best wishes
Haydn's use of themes and keys here demonstrates an important point about sonata form: the second subject is defined by the new KEY , not (only) a new theme. 8 4 One reviewer wrote after the premiere that the second movement evoked the "hellish roar of war increas[ing] to a climax of horrid sublimity!"[1]. Haydn's use of themes and keys here demonstrates an important point about sonata form: the second subject is defined by the new KEY , not (only) a new theme. bars 33-34 in 2nd violins and flutes - imitate 1st violin bars 31-32, 1st violins and 1st oboe - crotchet conjunct movement - augmentation of figure y: also contrary motion between 1st and 2nd violins, Dominant pedal (E) of dominant key (A major) in preparation for modulation to A major 4 St Pauls Place, Norfolk Street, Sheffield, S1 2JE. 6 8 (-)- V/V/V - 4951 - homerdundas, Trumpet 1 (D) 8 *#750068 - 0.09MB,? (-) - V/67/V - 41 - MP3 - Lucas-coelho, Complete Recording (EU) - *#738146 - 9.98MB - 7:06 - 4 - 0.0/10 If you disable this cookie, we will not be able to save your preferences. Report this resourceto let us know if it violates our terms and conditions. 2 Basic techniqueAdvanced techniqueAuditions/competitions repertoireRepertoire: how to conductBonus material, Free resourcesConducting video courseTechnical articlesConducting community, Free thoughts in disarray The music room Newsletter, Terms of service | Creative Commons License | Affiliate links | Privacy policy and Cookie settings. First performance: May 4, 1795, King's Theatre, London. - 2 - 6 First 4 bars scored for woodwind Diminished chords bar 40-41 Interrupted by ff tutti in D minor with counter-theme in upper woodwind Complete with higher dominant dischords/ diminished harmony and syncopation bars 43-44 Violin II and lower stringshave semiquaver arpeggiac figure played staccato Haydn decided to accentuate this harmonic difference with a dramatic dynamic contrast between fortissimo and pianissimo. (-)- !N/!N/!N - 2423 - CCARH, Complete Score 2 Title and contents pages for this collection are added to this scan for reference. Use the context of the sentences and what you know about the Latin root-loque-to explain your answer to each question. Switch back to classic skin, 2 flutes, 2 oboes, 2 clarinets, 2 bassoons, For 4 Accordions, Bass Accordion and Timpani (De Bra), For Flute, Violin, Cello and Piano (Clementi), For 4 accordions, bass accordion, timpani (arr), Scores featuring the bass accordion (arr), Creative Commons Attribution Non-commercial 3.0, Creative Commons Attribution-NonCommercial-ShareAlike 4.0, Creative Commons Attribution-ShareAlike 4.0, Creative Commons Attribution-NonCommercial 4.0, http://imslp.org/index.php?title=Symphony_No.104_in_D_major,_Hob.I:104_(Haydn,_Joseph)&oldid=3911716, Pages with References to Hofmeister's Monatsbericht, Scores from Bibliothque nationale de France, Works first published in the 19th century, Pages with commercial recordings (Naxos collection), Pages with commercial recordings (BnF collection), Creative Commons Attribution-ShareAlike 4.0 License, Live Recording, 12/Oct/2014, Suenaga Hall, Fukuoka, Professor P (Paul De Bra playing 4 different accordions and bass accordion). 10 Home. Bar 86: B minor 0.0/10 Adagio - Allegro (EU) 0.0/10 4 Each of these movements has its own unique musical structure and character with the opening movement often in sonata form and the final movement in rondo form. 8 8 4 Enjoy our concerts? Use of flattened submediant i.e. 6 4 Ottorino Respighi spent more time in his home country of Italy than Handel or Haydn did in theirs, but he did travel to study with Rimsky-Korsakov in Saint Petersburg and Bruch in Berlin. Fynnjamin (2018/9/29), Complete Score 8 Piano In Germany it is commonly known as the Salomon Symphony after Johann Peter Salomon, who arranged Haydn's two tours of London, even though it is one of three of the last twelve symphonies written for Viotti's Opera Concerts, rather than for Salomon. The trio is in B major, and uses the oboe and bassoon extensively. 8 2 Two bars tonic pedal in all parts, Imitation of the subject e.g. Coming from a relative backwater, near what is still a rural area of the Austrian-Hungarian border, Haydn was aware of the international taste of London audiences and interested in surprising the public with something new. Now with an orchestra twice the size of his old one at Esterhza, he made good on his promise with the dynamic tomfoolery of the Symphony no. What Haydn achieved was to establish the four-movement symphonic form that adopts the following pattern of tempi: fast, slow, medium, fast. 0.0/10 Haydn Symphony 104 MOVEMENT 4 Term 1 / 6 4th Movement Structure Click the card to flip Definition 1 / 6 Sonata Form Click the card to flip Flashcards Learn Test Match Created by louisparker1 Terms in this set (6) 4th Movement Structure Sonata Form Exposition 1 - 117 F sharp major, mainly chords of I and V, having built up since start of movement, finally comes to a halt in bar 166 104 (Movements III & IV) - Questions Subject: Music Age range: 16+ Resource type: Worksheet/Activity 0 reviews File previews docx, 42.87 KB docx, 34.58 KB Eduqas specification Tes paid licence How can I reuse this? 4 Massenetique (2014/6/16), Complete Score Allegro spiritoso Andante Would you be able to send this to me, thank you. 4 4 Report this resource to let us know if it violates our terms and conditions. 0.0/10 8 (-)- C*/C*/V* - 401 - IS, Complete Score (EU) Report this resourceto let us know if it violates our terms and conditions. Like in the minuet, this trio's B section emphasizes the relative minor (in this case, G minor). Motivic structure based closely on intervals of main theme, Figure X (stamping) in diminution - already developing S1, Alternates between sub-dominant and tonic chords A new episode every week! Minor E G B - G in bass so 1st inversion The stately rhythms, thickly ornamented with trills and tirades (flourishes), ground the overture in the French operatic tradition. 10 *#329790 - 2.80MB, 16 pp. *#348258 - 22.83MB - 9:58 - This finale, together with the finale of Mozarts Jupiter Symphony, set an ambitious standard for the symphony of the future, and todays composers still feel the weight of Haydns legacy. Substantial conclusion to Haydn's final symphony - 70 bars Adagio-Allegro (-)- !N/!N/!N - 127 - Madjanev, Horn 1 (F) . 10 0.0/10 2023 Los Angeles Philharmonic Association. 0.0/10 bar 47 beat 3, bar 51 beat 3, Subject 2a His Concerto Grosso in D major, op. Carisse is an experienced teacher of A-level Music and Vocational Music, and is currently Head of Music at a sixth form college in the North West of England. 4 6 6 The unusual 5/4 time signature, however, is all Schifrins own. 6 8 Scuba Certification; Private Scuba Lessons; Scuba Refresher for Certified Divers; Try Scuba Diving; Enriched Air Diver (Nitrox) Like the fascination with ancient Rome in his colorful tone poems, his Ancient Airs and Dances betrays him as a classicist among his modernist peers, like Alfredo Casella. - 2 Bar introductory TONIC PEDAL like folk music drone. 2 *#738149 - 7.11MB - 5:11 - (-)- V/V/V - 2227 - Perlnerd666, Violins I - 10 (-)- V/V/V - 83 - Fynnjamin, PDF scanned by CDN-Lu - (-)- V/V/V - 2505 - Perlnerd666, Bassoon 1, 2 (-)- V/V/V - 4 - LinBoHe, PDF scanned by Unknown Feldmahler (2007/1/09), 4 more: 1. - I have tried to figure out the PM system but can't seem to find it. A in bass so 2nd inversion Our customer service team will review your report and will be in touch. 6 10 The energetic opening movement is marked 'Presto' and is complemented by a bouncy 6/8 time signature. 10 10 File previews. Conducting Pills ep.28 Score analysis - Conducting pills Haydn Symphony n.104 "London" - Mov. - The Redlands Symphony Association is a registered 501 (c)3 organization. 8 Continues through S1, 1ST MOVEMENT: Discuss the development of 1st, STRUCTURE: Discuss how the structure of the s, Byron Almen, Dorothy Payne, Stefan Kostka. 6 Cookie information is stored in your browser and performs functions such as recognizing you when you return to our website and helping our team to understand which sections of the website you find most interesting and useful. - 10 The development ends with the full orchestra. 6 0.0/10 For details on how we use cookies, see our. Allegro spiritoso same length as corresponding section in Exposition, not in tonic - interrupted cadence to land on B7 in bar 247 - surprising, B major of 247 acts as dominant pivot for E minor Interrupted, Interrupting continuous quaver movement with 'x' which takes the music back to the home key for It seems only fitting that someone equally comfortable with the London Philharmonic or an international jazz festival, as at home in Buenos Aires as he is in Los Angeles, should be surrounded on tonights program by his fellow cosmopolitans. 4 St Pauls Place, Norfolk Street, Sheffield, S1 2JE. It is popularly known as The Clock because of the "ticking" rhythm throughout the second movement. 8 6 In 1791, the year in which Mozart died aged 35, Haydn was 59: he had just embarked in what would be the most successful decade of his career. - Haydn is often referred to as 'the father of the symphony' as he did so much to establish the form and structure of the symphony. 0.0/10 10 *#109273 - 11.28MB, 6 pp. In the recapitulation, the response to the dancing flute/oboe theme is by the full tutti instead of just the strings. Tes paid licence How can I reuse this? Philhar (2016/12/19), Complete Score Bass can take over some timpani notes when playing as quintet. Concerto for Lire Organizzate in G, Hob. 4 8 (-)- !N/!N/!N - 430 - Madjanev, Flute Finale. There is a reduced instrumentation of just the strings and one bassoon. Your rating is required to reflect your happiness. 8 These scans have been cleaned and retouched. 8 Haydn's no. LinBoHe (2023/2/19), Content is available under the Creative Commons Attribution-ShareAlike 4.0 License 10 - 2 It uses imitative patterns of the woodwinds in the second theme. *#405707 - 0.09MB, 4 pp. (-)- V/V/V - 820 - Kalliwoda, Complete Parts 4 10 [4] The movement concludes with an extended coda featuring a bugle call for solo trumpet, a timpani roll, which was a revolutionary adaptation of the instrument, and a loud outburst in A major. before returning to D major in bar 251, What section of the Exposition is entirely omitted from the Recapitulation, Coda [analysis], Rachmaninov - Piano concerto n.2 mov. 0.0/10 6 Andante Based on bars 19-26 *#405706 - 0.09MB, 4 pp. 10 2 6 6 [1], The work was composed in 1795 while Haydn was living in London, and premiered there at the King's Theatre on 4 May 1795, in a concert featuring exclusively Haydn's own compositions and directed by the composer. - VIIh/3, International Music Score Library Project, https://en.wikipedia.org/w/index.php?title=Symphony_No._100_(Haydn)&oldid=1140566501, Articles with International Music Score Library Project links, Articles with MusicBrainz work identifiers, Creative Commons Attribution-ShareAlike License 3.0, This page was last edited on 20 February 2023, at 17:44. 0.0/10 6 6 Timpani generated by Musescore. 0.0/10 4 8 Learn about single tickets and season packages. Please could you send me the annotated score for movt 2? registered in England (Company No 02017289) with its registered office at Building 3, Whether or not Haydn had decided that this would be his last symphony which it is everything about it projects the feeling of a statement, including the boldly decisive, symmetrical introduction, as distinct from the improvisatory feeling Haydn conveys in similar circumstances elsewhere: two portentous D-minor episodes framing a smaller one in the key of F major. [2] In the center of the movement is a development-like section which contains a surprise timpani strike followed by a traversal of many distant keys. pp. *#49279 - 4.53MB, 25 pp. (-)- V/V/V - 8246 - homerdundas, Violas 10 homerdundas (2010/3/28), Clarinet 2 (A) (original), B (transposed) Kalliwoda (2011/7/15), 4 more: Violin 1 Violin 2 Viola Cello, Violin 1 *#59305 - 0.38MB, 1 pp. 8 - 2 0.0/10 Introduction Bars 9-13 8 10 6 (-)- V/V/V - 554 - Cypressdome, PDF scanned by E-Mn 10 0.0/10 8 4 2 flutes, 2 oboes, 2 clarinets, 2 bassoons, 2 horns, 2 trumpets, timpani, strings, I. Adagio - Allegro chord of F major e.g. 8 The symphony opens with a slow and grand introduction in D minor, whose first two bars are as follows: Note that since the only notes used are the tonic and dominant, the mode of the piece is not yet established. D major, Byron Almen, Dorothy Payne, Stefan Kostka, Music in Theory and Practice, Volume I Workbook. 2 *#166182 - 6.89MB, 7 pp. 10 4 4 Adagio-Allegro 2. 4 Your Information is 100% Secure And Will Never Be Shared With Anyone. Though there are stepwise movements adding harmonic complexity, overall shape is still cycle of fifths, Texture reduces further, three chords in strings: IV-Ic-V7 lead to next section, Codetta (first time in bar) 6 The Symphony No. - 101 in D major (Hoboken 1/101) is the ninth of the twelve London symphonies written by Joseph Haydn. - The whole company was delighted and so was I. I took in this evening 4000 gulden. 4 8 Were moving to F major, the relative key of D minor. 8 (-)- V/V/V - 2696 - Perlnerd666, Baritone Sax (for Bassoon 1 & 2) . 6 *#51890 - 0.92MB, 14 pp. 6 0.0/10 The delicate nature of 6 *#39838 - 0.17MB, 3 pp. Our customer service team will review your report and will be in touch. Sustained notes (clarinets and brass) Haydn had spent much of his life as a court musician for the wealthy Esterhzy family: when the old Prince Nikolaus died in the fall of 1790 Haydn became less tied to his duties at court. 10 Haydn 104 4th movement analysis lyrics Music Analysis Songs 636 subscribers Subscribe 109 4.1K views 1 year ago lyrics & vocals by David Lloyd-Mostyn Show more Show more Music. 8 10 2 the others are there but not 3 and i hoped everything i need to teach would be in this bundle at 25. (-)- !N/!N/!N - 197 - Madjanev, Bass Clarinet (for Bassoon 1) (-)- V/V/V - 6210 - homerdundas, Cellos/Basses The Allegro begins with a dancing theme which is unexpectedly scored only for flutes and oboes. 6 was 20.00. 0.0/10 Tes Global Ltd is Not a member yet? - *#30245 - 1.36MB, 10 pp. Conditions. - 2 4 0.0/10 0.0/10 Portrait of Joseph Haydn (1791) The Symphony No. 10 The opening of the slow introduction carries a sense of expectation and grandeur. 0.0/10 4 0.0/10 Based on bars 11-18 2 1786 Mozart Prague Symphony no 38. *#109272 - 13.25MB, 7 pp. 6 Final motif in strings : piano and monophonic Report this resource to let us know if it violates our terms and conditions. - Using your knowledge of the Latin prefixes ,insert the basic meaning of the English word. 104. 6 A complete unit of work with detailed powerpoint, worksheets, revision notes and annotated scores of all four movements of Haydn's Symphony No. 8 Descends to reach dominant (A major) in bar 293 - not proper sequencing The third movement turns the long established form of the minuet and trio on its head. *#30246 - 1.07MB, 8 pp. 6 10 Ideal for use for the Eduqas A-level. 4 4 (-) - V/66/V - 1124 - MP3 - Rgagnaux, Complete Recording Eventually, Haydn refused and went back to the Esterhzy in 1795. - 0.0/10 This website uses cookies so that we can provide you with the best user experience possible. 10 Balancing his preference for expressive orchestration with his Renaissance source material, Respighi opts for a small ensemble with brilliant timbres. Lyle Neff (2009/4/3), Complete Score 8 Haydn's Symphony no. (-)- V/V/V - 5047 - Perlnerd666, Violins II 0.0/10 *#840444 - 6.51MB, 36 pp. Bars 3-10 omitted - therefore 8 bars shorter Franz Joseph Haydn, conductor. Carisse is an experienced teacher of A-level Music and Vocational Music, and is currently Head of Music at a sixth form college in the North West of England. (-)- V/V/V - 4653 - homerdundas, Clarinet 1 (A) (original), B (transposed) 2 Development starts with S1 in imitation, strings only, A major but G natural from bar 121 indicate move back to D, Full orchestra S1 and hints of counter-melodic ideas in 2nd violin and oboe, Pedal D in horns, trumpets, violins, timpani (different rhythms for these instruments, and use of octave interval and staccato in 1st violins), three note staccato step motif, sequential and overlaps in woodwind and strings, tonicisation of E minor by use of D sharp, Based on 'y': organised in two bar units, reliance on diminished harmony, Fig 'y' ascending, starting on F sharp to C natural Contact us with any questions. The last symphony, the present work, to which alone among the 12 the name "London" has become particularly attached, was first heard on April 13, 1795, and was also the main event of Haydn's London farewell concert, for his own benefit, three weeks later. Minuet. 6 (-) - V/67/V - 51 - MP3 - Lucas-coelho, 4. *#03171 - 1.36MB, 20 pp. *#51895 - 0.90MB, 11 pp. *#51893 - 0.24MB, 4 pp. 8 At this relatively early stage in his career, Haydn clearly knows what he's doing and is still smashing out melodies like there's no tomorrow, his symphonies are becoming interchangeable. D F sharp A C natural Many thanks! "[3], The work is scored for 2 Flutes, 2 Oboes, 2 Clarinets in A, 2 Bassoons, 2 Horns in D and G, 2 Trumpets in D, Timpani, Violins 1 & 2,Violas and Cellos.[4]. 2 - *#164129 - 3.19MB, 27 pp. 4 Minuet-Trio 4. 0.0/10 2 *#47719 - 0.23MB, 5 pp. 0.0/10 10 In this repertoire the Classical orchestra is established as is the four-movement pattern starting with a movement in sonata form followed by a slower movement, a Minuet and a lively finale. Composed 1795. 8 4 (-)- V/V/V - 8682 - homerdundas, Flute 1, 2 Andante Carisse has also been a Subject Advisor for Pearson, examining for both the NQF Level 1/2 BTEC Award in Music and the QCF Level 3 BTEC in Music. Minuet-Trio; 4. 4; Presto, 6 8; The first movement is in sonata form with a slow introduction that hints at motifs that will appear later in the movement. 0.0/10 London Symphonies, No.7. vindication\mathbf{vindication}vindication from blame or guilt. Its a rhetorical gesture, with a fanfare-like character: tonic to dominant, dominant to tonic. And it was in London that he wrote his final 12 symphonies (nos. Then ascends again with material reminiscent of part of the transition section of the Exposition (bars 41-43), Continuous quaver movement from second half of S2a (bar 76) over homophonic, sustained harmonies 6 Redlands Symphony Association Equity Statement. 10 This material also does not appear in corresponding part of Recapitulation: therefore more appropriate to label as Codetta, Six bar phrase - based on S1 8 6 This symphony has four movements but it is the second which gave. Repeated crotchets in brass 104 in D major (H. 1/104) is Joseph Haydn's final symphony. (-)- V/V/V - 154 - Massenetique, PDF scanned by E-Mn 8 10 4 104. 2 Referred to as the father of the symphony Haydn was the first composer of the great trio of Viennese composers the other two being Mozart and Beethoven forming together the heart of the Classical period. 0.0/10 0.0/10 0.0/10 93-98, would be presented. The annotated score for Movement 2 is missing. 100, the Military, which shared the program with the premiere of the London. But the virtuosic development of this unusual sonata form finale, with its even more unusual double development, depends on Haydns cheeky bagpipesthe intricate fugato of the first development and the detour into darker minor mode harmonies in the second development both focus on the first theme. (-)- V/V/V - 2887 - Perlnerd666, Clarinet 1, 2 (A) - 8 10 Continuous quavers in strings - greater importance in texture 2 4 6 The beginning of the Allegro is deceptively simple, with its singing melody in the violins. *#51889 - 0.57MB, 10 pp. Movement I - Presto. *#405699 - 0.09MB, 4 pp. *#59304 - 2.42MB, 32 pp. A bundle is a package of resources grouped together to teach a particular topic, or a series of lessons, in one place. Ideal for use for the Eduqas A-level. Minimal rhythmic variety - minims and semibreves Andante 4 (-)- V/V/V - 4583 - Lyle Neff, PDF scanned by Lyle Neff 4 "2" in the published collection. *#405700 - 0.09MB, 4 pp. 0.0/10 10 Written between his Italian operas for the Kings Theatre and Covent Garden and his English oratorios, this smaller work for string orchestra opens nonetheless in a grand fashion. 0.0/10 Tes paid licence How can I reuse this? 6 Haydn was treated like royalty or at least like Europes greatest composer upon his arrival in England at the beginning of 1791 for a residency during which the first set of Salomons symphonies, Nos. 10 *#705993 - 0.05MB,? Full Analysis of Haydn's Symphony No. - 10 *#30530 - 0.45MB, 4 pp. 4 4 Compare their lives and accomplishments to see if that comparison is valid. 0.0/10 4 The exposition closes with a codetta and is followed by the development which begins in B minor, using the rhythmic pattern of the second half of the theme. 0.0/10 Adagio-Allegro 2. 4 0.0/10 Mature Classical is the term used to describe the music typical of Haydn, Mozart and early Beethoven. end of S2a), some change in arrangement and harmonic differences ending in Ic-V in D major (bars 245-6), based on S2b bars 84-101 Reversing the procedure, the Adagio begins with an innocent, lilting G-major melody in the first violins, which darkens almost imperceptibly as the other strings enter, then changes its personality as the winds play a little lament, whereupon the whole orchestra bursts out in (minor-key) fury. (-)- V/V/V - 2576 - Perlnerd666, Horn 1, 2 (D, G) 6 Bar 173: B minor, Descent in bars until 185, where C sharp becomes pedal for 8 bars; moves through F sharp minor, C sharp major, pp chord (dom of F sharp) - D chord in 193 = interrupted cadence, Sustained D's reappear in horns to signal return to S1 and arrival of Recapitulation, Subject 1 8 2 Bibliothque nationale de France, Musique (F-Pn): This work is no. 10 104: A Comprehensive Guide. The other information and analysis is very good and very clearly labelled. 2 6 4 *#47720 - 0.18MB, 4 pp. 0.0/10 10 Symphony No. 4 Focus is harmonic, B minor - E major chord in bar 83 moves to F sharp 7 chord (dominant for B minor) in bar 84 - interrupted cadence, Bar 84: vi in A major becomes pivot chord to V7 of 8 6 2 6 8 Harmony tone up - G sharp major - to start The first movement is in sonata form with a slow introduction that hints at motifs that will appear later in the movement. - *#30128 - 2.63MB, 20 pp. Tonic pedal note still firmly established, supported by tonic and dominant pedals in brass, Reduction in texture and dynamic contrast, Builds to contrary motion continuous quavers from bar 73 over dominant pedal of A major, Perfect cadence in A major followed by three detached crotchet tutti chords: I, IV, Ic, V, Subject 2b 4 Timothy Lanfear (2021/6/5), Flute 1, 2 (-)- V/V/V - 6474 - homerdundas, Horn 2 (F) (transposed), D, G (original) 2 The opening theme had long been thought of as a London tribute, quoting from the street-song Hot Cross Buns, but in recent years has been identified as Oj Jelena, a ballad sung by the Croatians living in Eisenstadt when Haydn made his home there. After this, a brief episode highlighting A minor and D minor leads to a modified repeat of the main theme in both strings and bassoon. 6 (-)- V/V*/V* - 3612 - Feldmahler, 3. 0.0/10 104 was given its first performance on May 4, 1795 at London's King's Theatre. (-) - V/67/V - 47 - MP3 - Lucas-coelho, 4. 6 The English were not disappointed. Following a repeat, the development begins with a grand pause of two measures, the rocking motif appears in the distant key of B major and is developed upward through several keys. Menuetto and Trio Finale. 8 (-)- V/V/V - 274 - Generoso, Complete Score 10 4 0.0/10 Principal Conductor of International Opera Theater Philadelphia for four years, Mr.Griglio is also active as a composer. (-)- !N/!N/!N - 224 - Madjanev, PDF typeset by editor 8 Subscribe today and get access to more than 80 videos, scores analysis, technical episodes, and exercises. (-)- V/V/V - 644 - Morel, Complete Score 8 registered in England (Company No 02017289) with its registered office at Building 3, (-)- V/V*/V* - 19712 - Feldmahler, PDF scanned by Anon To ensure quality for our reviews, only customers who have purchased this resource can review it. The orchestral suite maintains the clarity of the lute pieces Respighi borrowed from Renaissance composers, known and unknown, including Simone Molinaro and Vincenzo Galilei (the father of Galileo).
Allstate Background Check Process,
How To Adjust Temperature On Stiebel Eltron,
Open Minds To Deeper Knowledge,
Alexander Ives Son Of Burl Ives,
Articles H